Friday, May 24, 2014, about 11 a.m.
Chipley
As the officer said, the old train depot in downtown Chipley wasn’t hard to find. Fifteen minutes later, I’m sitting my car, in front of a seafoam-green building that definitely looked like a train station from the early 19th century.
I note that trains still run through Chipley; I had to drive across two sets of raised tracks at an intersection with a barricade that lowers as trains rush by.
The difference between today and Emmett’s day is that passenger trains rarely stop here; trains are primarily freight. Chipley isn’t the train hub it used to be, especially since the advent of automobiles. I get that: Everyone wants to control personal travel. In Emmett’s day, going to and from communities was a novelty; romantic and sweet, special, out-of-the-ordinary. There was something special about planning a trip 100 miles away, or even 25 miles away, for example, where you’d stay with friends or relatives; it didn’t happen every day for regular people.
But in 2014, I know folks who commute 25, even 100 miles round trip a day for their jobs — definitely not a novelty, and certainly not romantic and sweet, particularly in an eight-lane traffic jam on a regular basis.
I get out of the car with my computer briefcase and notebook; straighten my skirt and blouse, smooth my hair.
I’m anxious that I’m on time and presentable, and glad that I was able to make it today: The Washington County Historical Society building is only open on Fridays from 10 am to 2 pm. The curator emailed me a week or so ago that she’d open it up for me, even if I arrived on a day it was closed. She has no idea how grateful and humbled I am about that. In all the years I’ve been doing research, no one has ever volunteered to open up an entire museum for me to study artifacts. I want to be sure I’m not any trouble; I know that most curators and the staff in small museums are volunteers.
I notice a number of people going in and out — I didn’t think it was a busy place; I thought it would be me and the curator — but today, the place is hopping!
The historical society is definitely a community gathering place — when I opened the door, numerous long-time residents were milling about. I later learned these are folks who stop by weekly when the museum is open. Several are gathered at the long tables with checkerboard tablecloths in the open back room to talk, drink coffee, read scrapbooks. It’s interesting — there are other visitors from out of state here too; one woman in particular from Pennsylvania searching for Florida ancestors. I realize that the local residents here are valuable assets to the historical society: They are keen genealogists and history buffs who can offer useful tips to the visitors on navigating official Florida record holdings, contact names and numbers, as well as excellent seafood restaurants while in the area.
The rooms are full of interesting artifacts on the walls, in old glass display cases from general stores. It’s busy, bustling, cheerful.
The curator, Dorothy Odom, recognizes me right away and greets me as if I was someone well-known to her; indeed, we’ve been exchanging emails for several weeks and I feel right at home. She introduces me to her adult daughter, Chelie, holding a gray kitten, who also greets me warmly.
Dorothy loves that I refer to her collection as artifacts. I don’t think she realizes how important her collection is to me (or really anyone else putting someone’s story together). Dorothy has basically the things that Emmett saw on a daily basis in a house or an office, stuff he took for granted, but the same stuff that made him who he was, in a subtle way.
Take Ivory Soap, for example: It was an everyday thing in Emmett Wilson’s world in the 1890s. Maybe Emmett used it; liked the smell of it, like I like the smell of it. Ivory Soap reminds me of my childhood, or maybe what I wished my childhood would have been: Safe, reliable, predictable.
Maybe it is that I see these artifacts with new eyes, thinking, Emmett saw this item, or that product in his parent’s kitchen pantry. He may have picked something like that up, used it.
Maybe Emmett, on a dare from an older brother, took a swig out of that bottle of mucilage convinced it was an exotic highball, his lips encircling the small neck of the bottle. He tips the bottle back, his eyes grow wide as he tastes the stuff ….
I quickly stop to look up the word on my phone —
— OMG. Well, I hope Emmett didn’t do that. I know absolutely that his brothers were pranksters. It’s possible it happened…
Dorothy touches my elbow to introduce me to retired Judge Perry Wells, a regular at the historical society; a senior gentleman with a kind, intelligent face.
I tell Judge Wells that Emmett’s older brother Cephas clerked for Judge W.O. Butler before he began a law career, and that I’m staying that night with the descendants of the Butler family while I’m visiting Chipley. Judge Wells nods approvingly, recommends I note the beautiful restorations of the Butler home and the photo gallery there featuring early 20th century photos of the home and family friends.
Coincidentally this day, Judge Wells had with him a small flyer for Jerry Williams Carter, essentially an old campaign flyer for Mr. Carter. I recognize Mr. Carter immediately — “Judge Wells, this is wonderful! Jerry Carter was Emmett’s campaign manager both times he ran for Congress!”
I wanted to hug the judge for showing me the unexpected flyer; primary sources of information about Emmett have been few and far between to say the least. Dorothy says she’s happy to print a copy for me. While I waited, Judge Wells suggested I take a walk through the downtown area, and points me over to a rack that hold booklets featuring a walking tour of Chipley.
Dorothy hands me the copy of the flyer, then introduces me to Whit Gainey, a quiet and thoughtful gentleman with an expansive interest in Washington County history. Whit asks me if I am going to visit the Wilson house on Sixth Street.
“I’m expected at the house after lunch, but in the meantime, I was going to head out to the cemetery to visit Emmett’s parents’ gravesites.”
“Do you know where the Wilsons are buried? If you don’t, I have a map and I’m happy to show you,” Whit said, “Otherwise, it’s easy to get lost.”
===
A half hour later, I’m riding in Whit’s red pickup truck. A country music station is playing quietly as Whit drives around the main street of Chipley; he points out a few landmarks. The old First National Bank, which is in sad condition (there have been some efforts to save it, but nothing successful to date); a row of old storefronts that are in good condition. We turn onto more residential streets, and Whit points out a few Victorian homes that are well cared for, places where Emmett and his family would have seen, probably had dinner with friends and the like. Otherwise, we ride mostly in silence to Greenwood Cemetery; he’s not much of a small talk person with a stranger, and that’s fine. I’m not good with small talk either.
We drive through a small neighborhood to get to the cemetery. “The Wilson graves are in the older part of the cemetery,” he said, maneuvering the truck off the pavement onto a grassy drive. He pulls to a stop near a tree; pulls out the cemetery map with the plots outlined, and nods toward a collection of tall, white monuments. “That’s them up ahead,” he said.
We get out of the truck, and as we walk along the grassy drive, Whit tells me that he’s spent a lot of time over here, photographing headstones and uploading the images to Find-A-Grave.com, the cemetery database.
Whit pauses, and turns away politely to look around at a few other stones while I walk towards Dr. Francis Wilson and Elizabeth Wilson’s graves.
I stand in front of them; I don’t know what to do. Finally, I’m here, I think. I’ve been reading about the Wilsons, studying their lives for over a year — but this feels awkward; uncomfortable. I think I should feel something else, because we’re family.
Maybe it is that this has been, pretty much, a one-way relationship for over a year. An introduction might help.
“Hello,” I say out loud, quietly, to Francis and Elizabeth. “I’m Judy. I’m glad to meet you, and I wish I’d known you in person. This feels weird but it’s true.”
I start to feel better.
But damn, I think to myself, as I look about. I should have brought flowers. I move towards Elizabeth’s stone, and touch the top of it: Lichens. It hasn’t been cleaned in a long time. I look down at both plots: The graves were dry and dusty.
I realize they hadn’t been visited in decades.
“I’m sorry about that,” I say to Francis and Elizabeth. “I’ll be sure to come by whenever I’m in Florida.”
Whit is walking towards me; he pauses in front of the Wilsons.
“These are your cousins?”
“Yes,” I say, and I begin to take photos.
Both graves have interesting additions at the bottom:
For Dr. Wilson, there’s a Confederate Army plaque — and someone has pried off the rank. I ask Whit about the damage to the plaque. He doesn’t think it was vandalism per se; he’s curious if there was an error on the plaque why a new one wasn’t ordered.
For Elizabeth, this is at the base of her tombstone:
“Her death was the turning point in this family,” I tell Whit. “There were 10 children, the youngest was eight years old when she died. And Dr. Wilson,” I said, nodding at the other stone, “coped by burying himself in his work. He was a county doctor, one of three, so he was essentially not around for the two years up until his second marriage to Kate Langley Jordan.”
Whit gazes around the immediate area surrounding the Wilson graves. “The second wife isn’t buried anywhere around here,” he said.
“That may be telling,” I say.
As we walk back to Whit’s truck, he says, “People handle grief differently. Sometimes they don’t handle it at all.”
“I think kids pick up on that,” I say, as I climb into his truck. As he starts the engine, I thank him for taking me to visit my cousins, and we ride back to the historical society building in silence.
Next: A closer look at Dr. Wilson
Categories: Book Congressman Family Florida History
jsmith532
Professor,
Communication, Arts, and the Humanities
The University of Maryland Global Campus
Tell my story. 
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